Key themes
- The moral weight of a false accusation
- The limits and responsibilities of fiction
- Class, desire and the summer that changed everything
About this book
A child's misunderstanding wrecks two lives; a novel about guilt, storytelling and the limits of saying sorry.
Published in 2001, Atonement was shortlisted for the Booker Prize and sold over two million copies. McEwan spent several years researching Dunkirk for the novel's central section.
Discussion questions
- Briony misunderstands what she sees and her misunderstanding destroys lives. How does McEwan present the relationship between imagination, perception and moral responsibility in a child?
- The novel's structure is revealed at the end to be a fiction-within-a-fiction. How does this change everything you've read — and what is McEwan saying about what novelists owe the people they write about?
- The question of atonement runs through the novel. Can Briony atone through writing — or does writing the novel merely give her another form of control over a story that hurt others?
- The Dunkirk section is one of the most viscerally written passages in recent British fiction. How does McEwan use Robbie's experience of the retreat to broaden the novel's scope?
- The novel is partly about how class determines who gets to tell their story. How do the different characters' social positions shape who is believed, who is punished and who has the power to write the record?
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