Key themes
- The double self — and the suppressed nature that emerges
- Victorian respectability and the violence it conceals
- Scientific ambition and the ethics of self-experimentation
About this book
The respectable Dr Henry Jekyll creates a potion that releases his darker nature as the violent Mr Hyde — smaller, freed from conscience, and capable of acts Jekyll himself cannot commit. As Hyde's crimes grow worse, Jekyll loses control of the transformation. Stevenson's Gothic novella is a founding text of the double-identity story and a study of Victorian repression and the darkness it conceals beneath respectability.
Published in 1886, the novella was reportedly written in three to six days in a burst of fever-dream creativity. Stevenson's wife urged him to rewrite it as allegory rather than horror story. It is one of the most adapted texts in literary history.
Discussion questions
- Hyde is described as physically deformed, though Stevenson never specifies how. Why does he refuse to describe Hyde's appearance precisely — and what does this vagueness achieve?
- Jekyll creates Hyde to enjoy pleasures he cannot pursue as himself. What does the novel say about the relationship between repression and violence — and is Hyde a product of suppression or of liberation?
- The novella is narrated almost entirely through documents — lawyers' narratives, letters, Jekyll's own confession. What does this fragmentary, secondhand quality add to the story?
- Jekyll loses control of the transformation progressively — Hyde starts appearing without the drug. What is Stevenson saying through this progression about the relationship between the conscious self and its shadow?
- The story has been read as a meditation on addiction, on homosexuality in Victorian society, on class. Which reading do you find most productive — and does it have to choose?
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Strange Case of Dr Jekyll and Mr Hyde appears on the following curriculum reading lists.
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