Key themes
- The simultaneity of past and present — and the form that tries to hold them
- Grief, art and the question of what survives
- Seeing and being seen — the painter's eye as a form of love
About this book
Two stories are bound together in a single novel: a grieving English teenager in the present and a 15th-century Italian fresco painter in the past. Smith's Booker Prize-winning novel exists in two editions with the stories in different orders — asking what changes about the meaning of a life story depending on where you begin.
Published in 2014, How to Be Both won the Booker Prize, the Costa Novel Award, and the Goldsmiths Prize. The novel's two-version publishing strategy was a commercial and critical risk that Smith insisted upon.
Discussion questions
- The novel exists in two editions with the two parts in different orders. Does knowing this change your reading — and what would you have experienced if you had read the other version first?
- George and Francesco Degli Eredi are separated by five centuries yet the novel implies a connection. How does Smith construct this across time — and what is she saying about the persistence of attention and grief?
- The novel plays with pronouns and gender ambiguity. What is Smith doing with this — and how does it relate to the painter's own historical situation?
- Art is the novel's primary subject. How does Smith use the specific act of looking at a fresco to make an argument about what art does — both to its subjects and to those who see it?
- How to Be Both is formally unusual — a novel in two halves that can be read in either order. Does this formal experimentation illuminate its themes — or is it a device that impresses more than it reveals?
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