Key themes
- Power and how it is accumulated — slowly, practically, ruthlessly
- Thomas Cromwell as a new kind of man in an old world
- The king's desire and the machinery it requires
About this book
Thomas Cromwell's rise in the court of Henry VIII; political intrigue rendered in extraordinary close-up prose.
Published in 2009, Wolf Hall won the Booker Prize and was the first book by a woman to win both the Booker and the Costa Prize. Mantel described writing it as discovering that she had lived these events before.
Discussion questions
- Cromwell is narrated in an unusual second-person-like 'he' that makes the reader inhabit his perspective entirely. What does this grammatical choice achieve — and what does it say about power and point of view?
- Mantel presents Henry VIII as comprehensible rather than monstrous — a man with desires and fears, not a tyrant from a textbook. How does this humanism serve or complicate the novel's argument?
- The novel covers the years of Anne Boleyn's rise without sentimentalising her. What does Mantel achieve by keeping Anne's perspective at a slight remove?
- Cromwell rose from a blacksmith's son to the king's most powerful minister. What does Wolf Hall say about the relationship between talent, ruthlessness and class in Tudor England?
- Mantel spent years researching the period but the novel is intensely novelistic, not documentary. What does fiction give her that historical narrative cannot?
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Awards
Winner · The Booker Prize, 2009Winner · The Walter Scott Prize for Historical Fiction, 2010
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