Key themes
- Old beliefs in a new world
- What America does to identity and myth
- The gods we create and then abandon
About this book
Shadow Moon, recently released from prison, takes a job with the mysterious Mr Wednesday and finds himself at the centre of a war between the old gods brought to America by immigrants — Anansi, Odin, Anansi, Czernobog — and the new gods of media, technology and globalisation. Gaiman's novel is a myth of America as a land that forgets its gods.
Published in 2001, American Gods won the Hugo, Nebula and Bram Stoker Awards and has been adapted for television. Gaiman wrote it during a period of living in the American Midwest.
Discussion questions
- The premise is that gods exist because people believe in them and diminish when belief fades. What does this say about the relationship between faith, culture and power?
- Shadow is a deliberately passive protagonist — things happen to him, and he observes. What does this narrative choice allow Gaiman to do, and how does it affect your engagement with him?
- The new gods — of television, the internet, the road — are presented as hollow and aggressive. Is Gaiman romanticising the old gods, or is he asking a more complicated question about what we worship?
- America is the novel's true subject. What does Gaiman — a British writer — see in America that an American writer might not?
- The novel includes standalone 'Coming to America' stories about how various gods arrived. How do these digressions function — as enrichment, distraction, or something structural?
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Awards
Winner · The Hugo Award for Best Novel, 2002Winner · The Bram Stoker Award for Superior Achievement in a Novel, 2001
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