Key themes
- Magic as a lost tradition — and the politics of who controls it
- The English past as a place of genuine strangeness
- Two incompatible magicians and what their conflict means
About this book
Two magicians revive English magic during the Napoleonic wars; witty, footnoted and utterly original.
Published in 2004, Jonathan Strange & Mr Norrell won the World Fantasy Award and the Hugo-eligible Clarke Award. Clarke reportedly worked on it for ten years. It sold over 4 million copies.
Discussion questions
- Norrell wants to make magic respectable and controlled; Strange wants to recover its wild power. What is Clarke saying through this opposition about the relationship between institutions and imagination?
- The footnotes are one of the novel's most distinctive features — they contain history, gossip, and stories that parallel the main text. What do they add — and how do they change the experience of reading?
- The Gentleman with the Thistledown Hair is one of fiction's great fairy villains. How does Clarke make him genuinely frightening while maintaining the novel's comic-register tone?
- The novel is deeply embedded in the tradition of 19th-century English fiction. How does Clarke use this intertextuality — and what does a fantasy novel gain from this mimicry?
- Jonathan Strange & Mr Norrell is very long (800+ pages). Does the length feel necessary — and what does the novel need that a shorter book would lose?
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Awards
Winner · The Hugo Award for Best Novel, 2005Winner · The World Fantasy Award for Best Novel, 2005
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